A recent interview with Luke Buckmaster sheds light on the captivating world of “Territory,” Netflix’s new Australian drama set against the breathtaking backdrop of a Northern Territory cattle station. Buckmaster describes the show as a blend of “Succession in the outback” and “Yellowstone, in Australia,” drawing parallels to family power struggles seen in those acclaimed series.
Director Greg McLean, known for his work on “Wolf Creek,” artfully weaves themes of conflict and family dynamics amidst the stunning landscapes of the Top End. Buckmaster notes that while the natural beauty of the area is grand, it serves as a mere backdrop to the intense human struggles that unfold, commenting on how these conflicts resonate deeply, particularly at the fictional Marianne Station, the largest cattle station in the world.
The show kicks off with an unexpected twist when heir apparent Daniel, played by Jake Ryan, meets his demise in a shocking encounter—a pack of dingoes attacks him in a scene reminiscent of a harrowing moment from Joe Carnahan’s film “The Grey.” Buckmaster draws attention to the stark contrast between Daniel’s toughness and that of the legendary Liam Neeson, leading to the young man’s tragic downfall. With Daniel gone, the Lawson family’s future is thrown into turmoil as they grapple with succession issues.
Patriarch Colin, portrayed by Robert Taylor, faces a challenging situation with options that include his struggling alcoholic son Graham (Michael Dorman), a daughter-in-law with ties to a rival family (Anna Torv), and their children, each with their own ambitions. Buckmaster highlights Marshall, the free-spirited son, who seems less interested in power and more in adventure, adding further complexity to the family dynamics.
The writing team, including Timothy Lee and others, cleverly establishes the significance of cattle stations as “kingdoms,” with Colin’s bitter observations about his family adding a layer of humor amidst the drama. Buckmaster emphasizes the effectiveness of these lines when used thoughtfully, enhancing the viewer’s understanding of each character’s plight.
The performances in “Territory” are particularly striking. Buckmaster notes Torv’s ability to convey both strength and vulnerability and praises Dorman’s powerful portrayal of a man battling his own demons. Meanwhile, the supporting cast, highlighted by Clarence Ryan as Indigenous station owner Nolan Brannock and Hamilton Morris as the elder Uncle Bryce, grounds the story in rich, varied perspectives.
As for the action in “Territory,” Buckmaster remarks on its unpredictability, punctuated by bursts of excitement, such as Torv’s character jumping into a helicopter to intervene in a gunfight. These thrilling moments, while not entirely realistic, fit seamlessly into the show’s narrative, creating a unique blend of prestige drama with an exhilarating edge.
“Territory” promises to be a standout offering from Netflix when it premieres on October 24, inviting viewers into a world where family, power, and the untamed outback collide in spectacular fashion.
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